DECEPTIONS
Wind
of Change
a new musical*
Music by
Book by
Lyrics by
Rita Pearlman Linda Brager
Linda Brager
Edie
Catto
Rita
Pearlman
*Originally developed by Curtain Call Productions, LLC
under
the artistic direction of Scott Susong
© Deceptions 1999, 2000 Brager/Pearlman
Setting: Nairobi; 1962
Cast of Characters
Michael Ramsey |
S.
Lee Lewis |
Sir Edward Dixon |
Josh
Singer |
Lady Hope Whitechurch |
Courtney
Davis |
Daniel Njojo |
Larry
A. Woodland |
Gabrielle Wongko |
Adonice
Cully |
British Soprano |
Vivian
Fenstermaker |
British Alto |
Melissa
Weinberg |
British Tenor |
B.J.
Moran |
British Bass |
Jeremy
Blaustein |
Kenyan Tenor/Aaron |
Richard
T. Moore |
Kenyan Bass/Thomas
Odinga |
David
“King” Hinton |
Kenyan Alto/Ruth |
Jeanie
Shattuck |
Stage Directions read by
Jeanie Shattuck
Production Team
Director |
Scott
Susong |
Musical
Director |
Nick
Williams |
Stage
Manager |
Jeanie
Shattuck |
Piano
Arrangements and Vocal Arrangements
by Nick Williams
“Today the same thing is happening in Africa, it takes different
forms, but it is happening everywhere. The
wind of change is blowing through this continent, and, whether we like
it or not, this growth of national consciousness is a political fact.
We must all accept it as a fact, and our national
policies must take account.” —Harold Macmillian
Act One
Scene Synopsis
SCENE ONE: Plantation Fields/Nairobi
Train Station
Working Song
|
Kenyans
|
Hope's
Theme/ Wind of Change
|
Instrumental
|
Forever
|
Michael
|
Transition No. 1
|
Ensemble |
SCENE TWO: Verandah, Plantation Main House
I Will Stay With You
|
Hope
and Michael
|
SCENE THREE: Streets of Nairobi
Africa Calls!
|
Kenyan Bass and the Kenyans |
SCENE FOUR: British Colonial Offices, Nairobi
Transition No. 2
|
Ensemble |
SCENE FIVE: British Colonial Offices/Streets of Nairobi
Deceptions
|
Hope and Edward |
Welcome to My Nairobi
|
Gabrielle and
Michael |
Quartet
|
Hope, Edward, Gabrielle and Michael |
Transition No.3
|
Ensemble |
SCENE SIX: British Colonial Offices
SCENE SEVEN: Nairobi Streets/Street corner cafe
Do I Dare
|
Gabrielle |
Transition No. 4
|
Ensemble |
SCENE EIGHT: Verandah/Plantation Fields/Street/Colonial Offices
For One Brief Moment
|
Michael |
The Control Trio
|
Hope, Gabrielle and Edward |
Wind of Change: Act 1 Finale
|
Kenyan Bass and Ensemble |
Act Two Scene Synopsis
SCENE ONE: Verandah, Plantation Main House
I Need Your Love
Transition No. 5
|
Hope and Michael
Ensemble
|
SCENE TWO: Nairobi Streets/Street Corner Cafe
SCENE THREE: Interior of the Whitechurch Plantation House/Foyer
Party Talk Pt. 1
Party Talk Pt. 2
|
Colonial
Guests and Kenyan Servants Ensemble |
SCENE FOUR: Verandah, Plantation Main House
SCENE FIVE: British Colonial Offices
Deceptions (Reprise)
|
Gabrielle |
SCENE SIX: Nairobi, Street Corner Cafe
For One Brief Moment (Reprise)
|
Michael |
SCENE SEVEN: British Colonial Offices
Pay Backs (Reprise)
Transition No. 6
|
Edward
and Daniel
Ensemble
|
SCENE EIGHT: Verandah/Plantation Fields
Forever (Reprise)
Wind of Change: Act 2 Finale |
Michael
and Gabrielle
Company
|
S. Lee Lewis (Michael), a Towson University junior,
was last seen as Valére in The Miser on the Towson
University Mainstage. He has
worked with Mr. Susong prior to this project on Fiddler on the Roof
(Production Stage Manager), Lindbergh Baby
Kidnapped (Assistant Director/Dramaturg), and The Pajama Game (Pop).
Lee spent the last summer directing for Church Hill
Theatre, where he directed Annie with the Green Room Gang and fumbled
into directing a production of Gypsy. Past
performance credits include Our Country's Good (Rev. Johnson), Brigadoon
(Charlie) and Into the Woods (Baker).
Josh Singer (Edward), a recent graduate of Towson University, is very
proud to be participating in his second workshop of a world premiere
musical under the direction of Mr. Susong. The
first was Lindbergh Baby Kidnapped (Harry Hackett), after which he
appeared in the world premiere production at Baltimore's Theatre
Project. Josh has also recently appeared in
Fiddler on the Roof (Motel) at Cockpit in Court, Tale (Riley) at Center
Stage, Say You Love Satan (Minion) at Source Theatre in Washington, D.C.
Courtney Davis (Hope), a Towson University senior, is honored to have
been asked to participate in the first public reading of Deceptions.
Most recent credits include An Evening of Shakespeare
with Charles "Roc" Dutton (Desdemona), The World Goes ‘Round
(Female Cover/Swing), Our Country's Good (Liz Morden), and A Chorus Line
(Sheila). She is currently rehearsing for
Company 13's production of A Midsummer Night's Dream (Titania) and will
be playing Smitty in How To Succeed . . . Trying this fall at Towson
University.
Larry A Woodland (Daniel) last seen as the caterpillar in the Baltimore
Children's Theatre production of Alice in Wonderland. Past
productions include Harvey (Duane Wilson) for Infinity Productions,
Scrooge (Jacob Marley), Arsenic and Old Lace (Dr. Einstein), and
Inspecting Carol (Walter Parsons) for Spotlighters. Larry
plans to move to NYC this fall to complete a Master in Social Work at
Fordham University and to continue to pursue his performance endeavors.
Adonice Cully (Gabrielle), a Towson University junior, recently returned
to Baltimore after working on a project with Disney's Animal Kingdom in
Lake Buena Vista, Florida. Past
credits include Grease (Frenchy) at Towson Dinner Theatre, They're
Playing Our Song (Sonia's Alter Ego) at Timonium Dinner Theatre, and
How
to Succeed . . . Trying (Miss Jones) at Broadneck. Donice
plans to pursue a career in musical theatre, film and television after
graduation.
Vivian Fenstermaker (British Soprano) has just finished her freshman
year at Colombia University where she is majoring in neuroscience.
A graduate of Roland Park Country School, Vivian has been
active in local theatre for years including several seasons with the
Maryland Arts Festival. Favorite roles
include Hodel in Fiddler on the Roof, Little Red in Into the
Woods,
Sandy in Grease, Polly in Crazy for You, and Lily in The Secret Garden.
Melissa Weinberg (British Alto) is excited to be part of this reading.
She is a 2001 graduate of Carver Center for Arts &
Technology where her credits include Laurey in Oklahoma! and Pitti Sing
in The Mikado. Most recently Melissa played
Chava in Fiddler on the Roof at Cockpit in Court under Mr. Susong's
direction. She will be appearing in A Funny
Thing . . . Forum later this summer and will attend Shenandoah
Conservatory in the fall to study musical theatre.
B.J. Moran (British Tenor) recently graduated from Carver Center for
Arts and Technology. In the fall
he will be entering Point Park College where he will
study musical theatre and dance. Some of his
favorite local credits include, Yussel in Fiddler on the Roof,
Seymour in Little Shop of Horrors, and Charlie in
Tintypes.
Jeremy Blaustein (British Bass) recently
graduated from Carver Center for Arts and Technology. In
the fall he will be entering Marymount
Manhattan College where he will study
theatre. Some of his favorite local credits
include, Mendel in Fiddler on the Roof, Jeff Moss in Bells Are Ringing
and TR in Tintypes.
Richard T. Moore (Kenyan
Tenor/Aaron), a
Towson University Pre-Med graduate, is a member of the Kuumba Players, a
black acting troupe and has appeared on stage at the Ensemble Studio
Theatre in NYC. He was an extra for the
film, The Replacements and spends his spare time auditioning for
commercials, theatre and film roles.
David "King" Hinton (Kenyan Bass/Thomas Odinga), is a music
theater student of Mr. Susong's at Towson University. He
is excited to participate in this new musical. He
is currently appearing as Jake in Side Show for the Maryland Arts
Festival. Past credits include the Baltimore
Opera Company's production of Aida (Egyptian
Slave), Guys and Dolls (Gambler) and Three Penny Opera (Ensemble).
He is a three-time winner of "Show Time at the
Apollo" and has appeared in NBC's
Homicide.
Jeanie Shattuck (Production Stage Manager/Kenyan Alto &
Ruth) is pleased to be working on this new musical. She is a recent
graduate of Roland Park Country School, where she played Terry in Stage
Door under Mr. Susong's direction. Other RPCS credits include Romeo and
Juliet, Crazy for You, and Once Upon A Mattress. In
the fall she will be entering Franklin and Marshal College where
she will study political science and continue working in the theatre.
Nick Williams (Musical Director/Arranger) recently created vocal and
additional piano arrangements for Lindbergh Baby Kidnapped. Nick has
been arranging music since high school, and projects have included
creating piano reductions, arranging for SATB Chorus, some minor
orchestrating, creating medleys, and most useful to his friends:
transcribing from recordings. Nick has also musical directed Joseph . .
. Dreamcoat and An Evening with Sondheim and Webber, and he has
performed as a rehearsal accompanist as well as a pit band member for
numerous musicals including most recently Cabaret.
Scott Susong (Director) is the Artistic Director of Curtain Call
Productions, LLC, which recently CO-produced the world premiere of
Lindbergh Baby Kidnapped; a new musical, at Baltimore's Theatre Project.
After relocating to Baltimore in the fall of 1998 from
New York City, Mr. Susong made his local directing debut with his new
version of the classic American musical, The Pajama Game, on the Towson
University Mainstage. He has acted, directed
and designed for theatre throughout the United States, Mexico, Canada,
and Southeast Asia. Among Mr. Susong's
favorite directing and design credits are Fiddler on the Roof, Stage
Door, The World Goes ‘Round, Antigone,
Cabaret, and Rivkala's Ring. Mr. Susong's
performance background embraces professional acting in more than 50
plays & musicals. Most
recently he played Rolf in the 1996-97 international tour of The Sound
of Music, starring Marie Osmond. It was
featured as part of the 100 Days of Wonder as Hong Kong returned to
Chinese sovereignty. He holds a B.A. in Theatre from the University of
Texas at El Paso (acting emphasis), and is currently finishing an M.F.A.
in Theatre at Towson University (directing and design emphasis). He is a
2000 recipient of the Towson Graduate Student Association Award and is
currently teaching Musical Theatre Performance in the undergraduate
program at Towson University and serving as the Director of Upper School
Theatre at Roland Park Country School.
Edie Catto (CO-Librettist) is a director, performer and theatre maker.
She is currently an MFA graduate student at Towson
University. Ms Catto recently returned to
the stage playing the Nurse in Cockpit in Court's production of Romeo
and Juliet. She looks forward to developing
more new works in the Baltimore/Washington area.
Linda Brager (Lyricist/CO-Librettist) had her first theatrical
experience on stage at the Lyric Theatre at the age of three.
She continued her love of music and theatre
through college writing a play about a mental patient in Spring Grove
hospital while still an undergraduate. Even
though she married out of college and raised three children she
continued in the theatre choreographing for several musicals including
Bye, Bye Birdie and Oliver! She would like
to thank her children for all their love and support through this long
and arduous process.
Rita Pearlman (Composer/CO-Librettist) teaches private beginner piano
lessons starting with four-year-olds and beginner flute lessons starting
with eleven-year-olds. Her love of the
theatre began in elementary school where she participated in talent
shows and local television commercials. Her
first musical endeavor was as composer librettist of Wondrous, a new
musical which premiered at Spotlighters in
1993. She traveled in 1972 to Kenya to visit her brother and this
experience helped to inspire the setting for Deceptions: Wind of
Change.
She is the proud mother of two sons, Lewis and Stuart,
and has recently added a daughter-in-law, Michele – Lewis' wife.
Special thanks to her loving mother, Dorothy and her best
friends Grace and Kevin.
© Deceptions 1999,
2000 Brager/Pearlman
Ralph Roseman, General Manager
1501 Broadway, Suite 1404
New York, NY 10036
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